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第97节(2/3)

givingusonlyapletelysatisfying

atsphereallitso

enoofterial,rkedbythenyblankspaces,anideaofposition

seeninastudyofesepaintingandarture.inthelinesandpositionof

boldnessandfreedofthebrushpresstheonlookerinanunfettable

sandstructuresofesearture,weshallbe

esepainting,thefloure,isdistinguishedbyaspiritandan

naofanart.

odeepainting,and

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hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

ishardtograspandexpress.ithasaosphere,visibleine

hewillbe

nner.sohohepicturebeforeushasundergoneaninnerprocessof

iii.painting

spirit.

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

transfortioniistsnd,shoofitsirrelevasdisharnies,and

thefullsignifialligraphyasthebasisofeseaestheticswillbe

abletoessquare,inlinesandfortrulyhyofthe

abletheprinesecalligraphy.thesebasic

painting,butessentiallydifferentandachievedbydifferentans.itshoain

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

artisthasinterferedaterialrealityaedittousonlyasitappearsto

epoetry.thatdifference

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

thepointsofntrastarationeasiertotradhatthe

nn.itoachievea

poetry,painting,arture,porcelainandhousederations,aialunityof

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