providesasofaesthetiiationayhe

sihofthehorse,

therefore,theairedevotiontopurefors

byderivingitsartistinature,espeals梩

...

fpaintii

inanythioftheeseartistid.

itseetothatand

strusustsolveforhielf.thus,through

aesthetiisticipleaybe

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

field,everyvarietyofrhythasbeeeduponaypeofstructure

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

hebranflohafehespringing

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

such,asapartfrotent.apaintinghastonveya,butaten

asthisarthasahistoryofhousandyears,andaseveryertriedto

sotiseveyinslouessularity.thustheartofcalligraphy

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

position,standsiiontopaintingaspuretheticsstandsiionto

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

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fundantalstrokesofing.ifthereisohis,hewill

distinguishhielfbyaructure,therefore,incalligraphy,if

certaintypes,suchastheyularityorofaforevertoppling

andforandithasdoneso

basesofesenotionsofbeauty.

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

cultivationandappreciationofpureposition,

fotten,andthelinesandforareappreselves.inthis

realisethatthesee.”

stfruitfulofresultsoodandapplied.asstated,ese

hasbeenexplored.theientpossible,andtheeseters,heoretically