gongpilesofksandbrushwood

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

ight,likeyiijen,giveusalandscapeof

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

recreateforusapicture,”surchargedoodsandfeelings,evergingand

dofnature.thebestofelandscapes,likerots3giveusthe

ursetherearealsonyeersy

felefigurecalled”ion.”thereisstilltodayalargeproportionof

singularteristifostsingularntrastbethineseand

forofnature.ifthereisanyapprealehunforssuch,wesee

”art,”andtheonesadethen”cr

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

notraalefest,

theisdesubservienttothe

ther”abovetheirntelpiedutelatea

englishandarisocietyuresintheirflatsby

eetagain

...

theygenerallybanishtheaionbycallihings

lingistsherodenlethetrees,

saatsphereandthesafeelingfoature,butirayalofhunfor,

vienneseporeoftheirfriendshavepreseheorchrists,

bathinggirlshouldbedetorepreseeer.”todaynyese

eartisthedifferehesourceofinspiratioselfforthe

nature.heshouldousthebeofthatnionofnature,and

eastandthefeleforortheindasbeingre

hespiritofthethingsasitisinstilledintohissoul,and

niyiinligiveusapindesolation,htheuntryastretch

ihegeneralistnessoftheatsphere,or,like

sayingthattheroosrentedfuished,andknotodoha

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grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

notthebeautiesoftheirbodiesbutthelihehehis

anbody,espealebody,seetotobethest

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

arestilluoreheelvestothefaivilizationrequires

andthisgeneralrhythalldetailstenandonlythetralinood

te,beforeoneleaeventhefirstessentialsofpainting.of