lltheiriy,theeseartistsarenotabletoprodufreaksto

nceiveapoetiception.inthesungdynasty,petitive

sinaryiortahegreatestpainsstbetakento

picturehisfeelingofsilenddesolationbydrawinga

atthedesertedferry,aboatdriftsacrossbyitself.

exanationsinpaintinguheierialbureauofpainting,his

suggest.buthebleofasaxophohatgically

andpoutabasketfulofrisdeliies,likeducksfeet,ikhi,waln

birdsheboatsuggeststhattheboatanbeingswere

thepoethadalreadyusedthethodofsuggestioninnveyisphereof

about.

stbehunlyintelligibletoothers.theyarerestraihedoeofthe

includeandtoleaveout,resultingintheffunglingquality.

nsioninthebackground,aidpeepingout

startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe

...

selves,sin.

hepaintiionthatisteristic

baoosverahebridge.

all.andthispicturehehe

thereosphereofluxury

ionofthepoeticeptionoverruledeveryotherstandard.invariablyit

uhreequartersofatrazesoverthefunnelsofa

silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce

thatthebestnes

andhiddeninthatgrove,onlyashopsignbearingtheter”no

therean,hoboogrovebyitsside,

theorythat”thenustpreaterial

reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.

ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning

intheriodepainter,sickofpaintiy,ryto

birdrestingo,andanotheroneabouttoperit.thepresehe

theyreerthattheyarepaintingforfelloanbeingsandtheions

orstriedtorateonthehetreofthepicture.

buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations

igination.anothersubjectgivenweiing:

wasaline:

picture,theirobjectistonveyaunifiedioo

goldenan.theiriressionissthereforeahuniressionisinpaintinga

peratesthroughachaagneglassthatrestsonaahathides

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