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第99节(2/2)

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

saidthat”,theyshouldapplythelaherunningscript,the

aybeusedto

thisdesireisuandableuholarsspiritwas

treeohesaprincipleoftingusedineseings.tungchig

dehesati”rontid”thespiritoftherecluse.”itisthisquality

said:”anticbrush,

lishu,andthearript.”oneseesalsointheholloherocksa

ngelsewas

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

hollohetreofthestrokes,aheenthe

ngfuhielf.further,theartistiportantcalligraphic

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hunspirittogetathedru

oflightheartedandinguisheslipospoetry.thisyi

oneevenobiletongue,dippedininkandligthepaperashedra\vs

along,paintingillis,thesreation.

sicstrokes.iinglihepine

offeurecraftsnship.

saidaboutpaintihateverylineshouldtallalong,andhihsaid

ntouroftheterisurical,butispagisanunfivable

shenpo.ifthespaybesaed,as

landscapesofthesouthesertaininfluenalligraphy.first,ohe

...

typeofsalledfeipo,any

ybeseeninyiiyujensatterineseingifthe

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

treesthehesealter.forthisisasecretleftusbyghao

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

notinteopyreality,butrelytopleaseself”

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

principle,forproperspagistheveryfirstlaatedbypao

thisplayingodatsforacertainqualityofesepainting,calledyi.the

oneshherefore,ineseinkdraanfiguresand

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

andnizesfurtherinthesileunityofdesignofesepaintingsth

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

fugitivespiriti.doicarehertheyareexactoot,herthe

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