throughitsiensepopularitythetheatrehasachievedaplathenational

intoherblackvelvettelesresigning.

sidelining,

likesbeforeazephyrgiddy.

folloanner:

sohelplesslytender,

oveditribed:

herjadehairpindeing,

beforeshespoke,shehadreddened,

nooveshersteps,ing,pretty,

itisiingtonoteherethatrhythsuoodinesedraticpoetryand

atitotheexigeheoperaticairs,but

likeacherryripebroken,

hersoftlikeasoutheditty,

greatsuoredulatedrhythbr>

eselifeverynearlyr

asanapproxiteexaleofthisirregulartre,igivehereanenglishrendering

experintbysoqualifiedenglishpoets.

ratherthareoreencipatedinthedras.

ininusic.

alreadyprovidedforatreularlengths,obeyihfthespoken

thereisnoreasoaltresofthreesshouldnotbe

likeastatueolten;

brooonreing,

sogracefullyslender,

liberationoftreachievedinthesungtguinatinginsongsaheseairs,

broaderaabletotheveacularlanguageihe

shedhavespoken

literature,hebeautyofinging,theheroine:

astringofnotessandgolden.

tharaightuseofthreesthroughouttheliheideaish

gng.

ofpassagesintheberasterpieceofthefirstorderinese

usedinsokindularbinationinenglishpoetry.thishasbeendoneh

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thelineswas

inant,