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第85节(2/2)

theesetheatreofthebettertypeinayardliketheelizabethare.

havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

aniaina,unknoi

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usedasaansofattragattention;theyalheplaysanduldbe

esetheatresurroundings.

greatchukoliangireetsofoldpeking.

yfireliefthat,

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dodiatelyaftertheoasioheatrehereforeintheopenandthe

butsohoselvestoit,asthearishave

arealfoodof

inofthedruandgongsandthefalsettolybeuoodinthelightof

hairandcladintatters,singingtheairsofkunggdagthepartofthe

oddnts,andyouhaveapictureoftherelatiohe

instcases,hoph

orlessaloaintraditio

falsettooflesingers,.this

heardaleaovies.when

frohesaxophoneandothersounddnessfrohejazzbandany

st,oobe

adaptedtheelvestojazz.theyheylifetogeta”kick”outof

ofthepeople.igineapeopleassesknoireetsandatall

”civilized”odetheatrebuildings.

...

thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

or”operania,”aenseeaniafthelohdishevelled

hsiaotiao}tofindsoofovesre

unterevideheapparentforteristoleratesqueaks

stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

abovethegroundiatheopen,orshtacrossathhfare,tobetaken

esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe

fnvisitorsatesetheatresareoftenstruruciatingnoise

lovelyasthetaryis,asandtheodddratigs

enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

actorshadtopetehthepeddlerscries,thebarberstuningforks,the

fropurelyliterarypointofvieatiatypeofpoetry

it.tiedand

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