ihehostandsforasasyolofesehunisasterpiece

unansablytoakindofpaitually,poetryhas

lookoverthevisibleothegreatbeyond.

urella,avoluptuousprostitute,andaradianttherihirdnthof

naturalesstobebasedonthefearthatthereisnotenoughpoetryandiginationinthispresentlifetosatisfythehunbeing

foreverunquenchedandyisforeverunansweredand

thiongivespeacebyhavingareadydeanss,it

position.liketheeseroof,anduhegothicspires,hisspiritdoesnotaspire

toheavenbutbroodsovertheearth.itsgreatestaeasureof

reinstobepaintedofanirovedversionof”sacredandprofanelove.”there

butnfuastherealfthe

theearthisseenasnsistingofuntainsandriversandallthoseforribedin

,asthehunencius.the

harnyandhappinessinthisearthlylife.

etionally,thefearthatthereisnotenoughpoyinthebeechforestsof

thee.

unknosupas”actsofgod,”while

teofthingsandisproudofhis

...

theseheeseastotheeuropeans,butthereasare

pregnancy.ofthe

unknoelylittletioverit,isequallyehatithe

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deerlyachristianandnohat

shouldbethreeeninsteadoftissionaryladyhan

andnaturalisheavenisseenasnsistingoftheclouds,thestars,andallthose

regardedas”thethreegeheuniverse.”thisisadistine

sthe

esescheoflife,ashediscussiononesepoetry.tothe

denrkortheolsandsofthediterraneanshoretofortthean

soul,andthesupeaturalisthenfoundnecessary.

sadnessofthislife,isillsallpoetry.apagan,

takehefunotioninthe

nfuansplaatureisthat”heavehandn”are

adeanssandysteryis

rrespondingtothebabbittianthreefolddistin,hunisbr>

ilityoveresus,orethanthelifeofthesensesandwe

assertionofthesuperiorityofthehunureandinthedenialofnatures

greekthologytodeter,andnoupiesanalliortantplacebethe

deablesteryandthepoignant